This performance is made possible in part by the Lower Manhattan Cultural Council.

This performance included six original works of choreography and two original musical interludes to include traditional Fandangos, Siguiriyas and Bulerias - Argentinean Tango - Ballet . . .

“Café Cantante”:

The classic story of a love triangle set in a Spanish cantina. flamenco performers tell the story thought traditional fandangos, siguiriyas and bulerias music. Traditional costumes …

“Generations”: Argentinean Tango

This is a true story of three generations of women; A Grandmother a singer of Argentinean love songs continues the sprit and the passion of Argentinean Tango song and dance thought a daughter and granddaughter. This story will include 6 dancers and never before heard Tango recordings from the 1950’s

''The Letters of Abelard and Heloise.'':

This is a collaborative work in progress among Cristobal Herrera, choreographer, David Grabarkewitz, stage director for New York City Opera and Ray Wiger, sculptor from Taos, New Mexico who will create by using sculpture as an integral part of the story and its presentation. The choreography for this work is classical, utilizing traditional Flamenco with ballet. Atrévete also encourages the creation of new works of music. “Abelard and Heloise” combines New York City Opera cellist, and traditional gypsy song. The cello is used as the voice of Abelard's ballet while the flamenco guitar is the voice of the passionate Heloise together it is magical.

“Steel”:

It has been called “Flamenco meets Stomp”. The Company brings flamenco into a modern urban setting. Danced on three large steel platforms three male dancers battle with creative footwork each on a platform of varying size and sound backed by flamenco musicians and electric guitar and electric bass.